Filmes

Emshwiller writes that the visually complex and densely textured Skin Matrix is a "video tapestry... a layering of different manifestations of...

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the...

Featuring Bill Weidner and Connie Brady, BRANCHES was made in a filmmaking workshop at Cornell University during the summer of 1970. The film was...

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized...

The long version of the film titled in the short version "THERMOGENESIS"

Emshwiller writes that Sur Faces is a "stylized collaborative videotape in which actors working with (the artist) explore sexual politics as...

Pilobolus and Joan is a dance/narrative journey of transformation, a theatrical search for self and love based on Carol Emshwiller's story...

THE STREETS OF GREENWOOD (1962), looks at voter registration efforts by the Student Non-Violent Coordinating Committee (SNCC)and a concert in a...

A kaleidoscopic collage of colours and dehumanised modern dancers, making subtle use of double exposure and electronic music. Shapes move and grow to...

A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are...

The pointillist score accompanies changing line, form, and color to create an animated film painting, achieved through the exploration of spontaneous...

This independent underground feature films two dancers (Carolyn Carlson and Emery Hermans) in silhouettes and shadows. Other couples discuss their...

This biker documentary was selected for screening at the 1964 Flaherty Film Seminar. Emshwiller described it as "a roaring picture of motorcyclists...

Really gorgeous visuals from Emshwiller made for Roger Reynolds's Voicescapes performance, containing elements from his previous Sunstone.

A delightful short film shot in reverse in which the main protagonist enjoys a day on the town.

In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying...

A combination of animated line drawings with live photography of a nude model. A play on the title (living lines, life model, procreation and hand...

A video work by Ed Emshwiller

A film by Ed Emshwiller that surveys, without narration, the vast human and material resources committed to the U.S. space program. Uses recurring...

The first film by Ed Emswhiller