Filmes

"Lamentations is a cinematic tumble through diverse dreamscapes in a man-made world." —N.D.

Abaton, a sacred place, a sanctuary for dreaming and healing.

17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. The four image format gives a look...

Dorsky’s three earliest works (made when he “entered the realm of poetic filmmaking as an active maker”), all sound films, with...

San Francisco's winter is a season unto itself. Fleeting, rain-soaked, verdant, a brief period of shadows and renewal.

"Compline is a night devotion or prayer, the last of the canonical hours, the final act in a cycle. This film is also the last film I will be able to...

The recording of the daily events of Dorsky and his partner, artist Jerome Hiler, around Lake Owassa in New Jersey and in Manhattan. The two parts of...

The Kodachrome Dailies consist of all the Kodachrome footage chosen to be worked with to make the film Song and Solitude during years 2005 and 2006....

Summer in San Francisco is a dry and rainless season. The film, Summer, although photographed during this period of time, is not so much a...

Ossuary was made up of the Kodachrome outs and trims from more than a decade of shooting and making films in Kodachrome. This new film, Dreams Reveal...

The ever-presence of death.

A short portrait of a dear friend and collaborator on Devotional Cinema, Nick Hoff.

“For most of my life, my films have been the marriage of external circumstances as seen through the needs of my own psyche. There is no other...

A monody is an ode sung by a single actor in a Greek tragedy, a poem lamenting a person’s death. In this case, the sixth section of the...

These four films spontaneously manifested as four stages of life: childhood, youth, maturity and old age. Elohim was photographed in early spring,...

These four films spontaneously manifested as four stages of life: childhood, youth, maturity and old age. Elohim was photographed in early spring,...

Ariel is a highly energetic and colorful divertissement of abstract film achieved with improvised home color processing and a physical, almost...

Autumn, photographed during the last months of the drought year, 2015, is a stately, but intimate, seasonal tome, a celebration of the poignancy and...

The fourth of the “cinematic songs,” followed by two new works “made by someone closer to passing on, by someone whose sense of...

Perhaps the most delicately tactile in the series of four cinematic songs, Love's Refrain rests moment to moment on its own surface. It is a coda in...