Filmes

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely...

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of...

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a...

An experimental short film from the Gates of Death series by Hollis Frampton.

A man and a woman have been living together for six months. After disappearing for two days, the man returns and acts as if nothing has happened,...

A film in three parts: a man talking while a telephone rings, a walking tour of New York, and a goldfish swimming.

Scottish physicist James Clerk Maxwell's classic theory about the behavior of gas molecules is represented on-screen by a man performing a series of...

Home movies shot on Super 8mm by W+B Hein over 10 years.

In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a...

Poetic Justice presents the viewer with an ordinary domestic scene: a stack of papers, a cup of coffee, and a potted cactus on a table. The sheets of...

A butchered cow is decapitated in this short film by Hollis Frampton.

A journey through a field of corn.

The understandable fascination with Frampton's intellect can blind one to the frequent down-home dimension of his imagery. Here, in a most rigorously...

An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive...

Frampton on Information: "Hypothetical 'first film' for a synthetic tradition constructed from scratch on reasonable principles, given: 1) camera; 2)...