Filmes

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.

A film about a man, an invisible man, perhaps immobile or displaced, trapped in solitude filling the intervals of reflection and desire. He resides...

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

Filmed in New York in 1964, completed in London 1967.

Shot in Brixton, London, in 2004, the film is originally a letter addressed to Dwoskin by its authors. It creates a unique space, movement and rhythm...

A short and lyrical film about looking, and how that look shapes the relationship between those people whom we call friends; some gone, some found,...

Liu, crying, sings "Signore, ascolta!" Liu can bear it no more. She sinks to the ground, exhausted and sobbing. Puccini makes tears of joy and of...

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.

Short experimental film focusing on body paint and the female form.

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all...

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

Tranquil video reveries by veteran Dwoskin surrounding visits to his house.

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York...