Stephen Dwoskin Filmes

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as...

Stephen Dwoskin's first film, made in New York. A woman's feet during a whole night of sleep contracted into four minutes.

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject...

Tranquil video reveries by veteran Dwoskin surrounding visits to his house.

A film about a man, an invisible man, perhaps immobile or displaced, trapped in solitude filling the intervals of reflection and desire. He resides...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just...

Shot in Brixton, London, in 2004, the film is originally a letter addressed to Dwoskin by its authors. It creates a unique space, movement and rhythm...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

“Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.” –...

“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.

The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the...

More like sketches Phone Portrait and Phone Strip explore the moving image through the uniqueness of the most modern of technologies – the...

A richly conceived essay about the evolving image of disability. Dwoskin begins with the declaration that the historically distorted images of people...

"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their...

Intoxicated by My Illness (in which images photographed by several people are extensively superimposed) loosely and dreamily tracks a phase in...