Filmes

“DREADFUL PENNY DREADFUL dares to violate every remaining shred of ‘good taste’ using the vehicle of Brecht and Weill’s...

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

Joan of Arc and Dorothy of Kansas become one thanks to Hildegard von Bingen.

A simple and, possibly as a result of this, effective reworking of a recent propaganda film. The original film is Enduring Freedom: The Opening...

Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images...

Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in...

My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film...

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons,...

Finally, manipulating the "natural" flow of the film image represents another kind of intrinsic interruption. I have in mind such devices as...

In one incredibly long take we see the arrival and disappearance of John Kennedy's body as it is delivered from Dallas aboard Air Force One.

A film by Keith Sanborn

1982, 3.5 min, 16mm, anaglyph 3D

Heretic is composed from the outtakes of Joe Gibbons's no-budget feature The Genius, set to John Zorn's Naked City "soundtrack" album Heretic, and...

An exploration of Keats’s proposition, that “when a man is capable of being in uncertainties, mysteries, doubts, without any irritable...

An attempt to problematize ownership and authorship in the age of digital reproduction. Inspired by the Walter Benjamin essay of the same name and...

A philosophical dream narrative, structured around conceptions and representations of the reversibility and irreversibility of time and desire. The...

A short essay on the triangular Square du Vert-Galant, one of the favorite repairs of the vanishing Paris of Guy Debord. Yet another slow film.

A slow four-part film on death and the persistence of the dead. Where ignorant armies clash by night: the dolphin-torn and gong-tormented sea.

1980-88, 11 min, 16mm, silent. Preserved by Anthology Film Archives. Separate digital soundtrack accompaniment.

“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad