Filmes
- 1969
Heads
Heads01969HD
Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.
- 1972
Upside Down Feature
Upside Down Feature01972HD
Peter Gidal's 'Upside Down Feature' is one of the most important films to have been made in this country. It makes a complex and original foray into...
- 2013
Coda I
Coda I02013HD
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...
- 2013
Coda II
Coda II02013HD
Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of...
- 2013
Coda I + Coda II
Coda I + Coda II02013HD
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...
- 1983
Close Up
Close Up11983HD
Close Up is a provocative and potentially dangerous pulling together of two opposing aspects of film form - namely, a 'documentartist' soundtrack...
- 1985
Home Movies 1971-81
Home Movies 1971-8101985HD
Home movies shot on Super 8mm by W+B Hein over 10 years.
- 1967
Room (Double Take)
Room (Double Take)01967HD
A hand-held camera zooms in and out as it films the objects in a room. The same sequence is presented twice. "In Room, [Gidal] makes deliberate use...
- 1973
Room Film 1973
Room Film 19734.31973HD
"This film is a consequent continuation and contraction of my film work, research which began with Room (1967). The film is not a translation of...
- 1971
8mm Film Notes on 16mm
8mm Film Notes on 16mm11971HD
Structuralist film collage consisting of 8mm film "notes" printed directly on 16mm stock. The images include people and landscapes and the technical...
- 1997
No Night No Day
No Night No Day01997HD
What darkness the film will have in No Night No Daywill not be connected to nature's night, equally light will be unconnected to 'day' as a lived...
- 1977
Kopenhagen/1930
Kopenhagen/193001977HD
Kopenhagen/1930 presents a different attitude to the seductions of content, to the signifying processes that are repressed in the rigorous procedures...
- 1975
Condition of Illusion
Condition of Illusion51975HD
The practice of Structural/Materialist Film is defined in...process, construction, displaced reflexively...not displaced uniformly into the pattern...
- 1978
Epilogue
Epilogue01978HD
A film by Peter Gidal
- 1968
Key
Key5.51968HD
A slow zoom out and defocus of 'An enclosed and progressive disembowelment of durational progression.'
- 1997
Assumption
Assumption91997HD
Assumption is a virtuosic personal tribute, a glimpse at history and a celebration of independent film culture. Gidal's short film was assembled...
- 2009
Performance of Sorts with Brecht
Performance of Sorts with Brecht02009HD
“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part...
- 1992
Flare Out
Flare Out01992HD
Sound: unrecognition unidentified, in time, you hear? Image: recognition identified, out of time in time; not not knowing the unknown but not knowing...
- 1968
Loop
Loop31968HD
Loop ended up being a film that also 'ended' Upside Down Feature (1967-72) and was a negative upside down portrait as well....in negative, the person...
- 1988
Guilt
Guilt11988HD
Objects in the world given luminousness, light, are here less apprehensible to knowledge than that which has less light.