Gary Hill Filmes

Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...

Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...

Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...

A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...

The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...

The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

“I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...

In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...

Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...

DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.

Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...

Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...

This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...

Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...