Gaël Badaud Filmes

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Liberté provisoire takes from everyday life, transforming the ordinary into a sensory delight. Walks in the Belleville district,...

"Sounds of images" come to me from the windows overlooking rue Saint-Maur (the former pilgrims' path to Saint-Denis) and suddenly make me want to...

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Outtakes from Maya

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...